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HISTORY OF THE BUILDING

 
Museo Pecharromán. Outer Plane

The Museum Pecharromán The Museum this Pecharromán located in a building raised by the Manrique de Lara in the first third of the S. The XVIIth. The Shield of Weapon is in the vestibule and is a copy that might consider to be like exceptional that combines the lineages, pertaining to nobility titles and military orders. Constructed in wood and stone it consists of three plants and warehouses, the principal door is of hewn stone dintelada. They were Public Schools in the reign of Alfonso XIII, directed by the instructing teacher Luis Garzón, who gave name to the street. Catalogued by Patrimony as Protected Building, he is situated in the historical hull of They Happened from the Side, Noble declared Villa Joint Historically - artistically in 1998 and nailed in The Region of the Side between Plasencia and Jaraiz, to ten kilometres of the Monastery of Yuste-palace of Carlos V.

Outlines nobility. - From the pertaining to nobility point of view the figures and pieces of the shield that occupies us, they guard relation with the following pertaining to nobility title: Count of Osorno with Greatness of Spain, granted on August 31, 1445, for Don Juan II of Castile to Don Gabriel Fernandez - Manrique, I Duque of Galisteo, Major Commander of Castile and of León, Thirteen of the order of Santiago, Master of Fuenteguinaldo, son of Ios I Counts of Chestnut grove. Related to the lineages Fernandez - Manrique, Álvarez of Toledo and Fit - James Stuart. Current holder of this pertaining to nobility title considered as the important mas of the world is the most excellent missis dona Maria del Rosario Cayetana Fitz-woman's faces Stuart and Forest, which from February 18, 1955 is A Duchess of Alba de Tormes with Greatness of Spain.

 

The MUSEUM PECHARROMAN versatile man is born in 1996, thanks to the tenacity and Ricardo Pecharromán y Morales generosity (Madrid 1949), great lover of the Fine arts and propagator enthusiast of the Contemporary Art. Cultural promoter, painter and patron, is pioneering in the simbiosis between conservation and creation with the support to the Cultural Patrimony and to the new creators. The Institution is today what was in other times his study in Extremadura.

It realizes and exhibits in his first epoch figurative pictures, until it knows in Madrid (1975) Oskar Kokoschka, who him makes think about his artistic path. Follower of the group " The Step " embarks in new plastic European currents you relate with George Baselitz y Markus Lüpertz.

Ricardo Pecharromán's professional category is not necessary ensalzarla. It is enough to revise his appearances in the most important artistic cenacles of our time, with representative samples of his creativity, to give complete idea of the great prestige acquired by this person from Madrid.

 

PLANT OF ACCESS

In this plant there places the Room of temporary Exhibitions, distributed, with the own vestibule and three more dependences, for one of which it stoops to the warehouses. The artesonado of the roofs as the rest of the building, they are constructed by seen wood, of autochthonous precedence.

 

PRINCIPAL PLANT

It is destined to rotary exhibitions of a good number of drawings and paintings of the richest collections that remain in the funds of the Museum, as well as a selection of documents related to the artistic life of the Painter.

Anteroom. - Different pictures of surrealistic components and expressionists orientated to the diffusion between the hot thing and the subjective thing. The chairs is composed of sofa and baroque armchairs by different motives of hunt, flanked by two hachones of forge and Italian wastebasket of middle of the XVIIIth. The space is illuminated by a rustic lantern that comes from the study of the Artist.

 

Library. - Dedicated by the Painter to consultations and reading, he understands different commemorative paintings of marked postmodern style to Goya, signed in the nineties, proceeding from exhibitions in center - europa (1996). A furniture of style alfonsino, with German lamp of epoch, completes the decoration.

ROOM. - Contains linens without irruption where the energy flows with libertinism, there being contemplated the beautiful technical and stylistic qualities of the expressionism. The furniture that adorns this room consists of Elizabethan chairs, Cervantine bookshop and carpet of the Royal Factory of Tapestries.

 

PLANTS STUDY

They are the dependences abuhardilladas of the building where the Artist was developing the great part of the preliminary, both graphical and pictorial work and also the definitive work of small format. In this plant we can see besides other paintings, the information collections, the room of reading and a great sunlight in main, own face of these buildings of the Region of the Side.

 
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Museo Pecharromán